Vatican City, Jun 30, 2025 / 07:00 am (CNA).

After a decade of painstaking restoration, the imposing Hall of Constantine in the Vatican’s Apostolic Palace, which houses Raphael’s masterpiece depicting Constantine’s victory over Maxentius at the Milvian Bridge, has been returned to its original splendor.

This space, the largest of the well-known Raphael Rooms, was partially closed to the public in 2015 due to delicate conservation work that ultimately culminated in a result described as “exemplary” by Vatican Museums.

“In a way, we have rewritten the history of art,” explained Barbara Jatta, director of the Vatican Museums, during a June 26 presentation to the press held at the Vatican Museums. She was joined by Fabrizio Biferali, supervisor of the art department for the 15th and 16th centuries; Fabio Piacentini and Francesca Persegati from the Painting and Wooden Materials Restoration Laboratory; and Fabio Morresi, head of the Scientific Research Office, who emphasized the scientific, technical, and symbolic value of a project that has brought to light revolutionary discoveries about the techniques and methods of the Renaissance master.

The restoration, which began in March 2015 and was completed in December 2024, has not only restored the brilliance of the frescoes that Pope Leo X commissioned Raphael Sanzio (1483–1520) to paint but also revealed important technical and artistic innovations concerning one of the great workshops of the Renaissance.

The process, carried out in eight phases, began with the wall of “The Vision of the Cross” and concluded with the vault decorated by Tommaso Laureti. The planning of the scaffolding followed the same sequence as the original execution of the paintings, allowing for a diachronic interpretation of the evolution of the complex.

Raphael and oil painting: A revolutionary discovery

One of the project’s greatest revelations has been the confirmation that two female figures — Comitas and Iustitia — were executed directly by Raphael in oil, an extremely unusual technique for murals at the time. “We knew from sources that Raphael did experiments, but we didn’t know which ones,” Jatta explained.

Thanks to scientific analyses such as infrared refractography at 1,900 nanometers, false-color ultraviolet light, and chemical studies of the paint layer, a special preparation of rosin, a natural resin heated and applied to the wall, was identified. This technique would have allowed Raphael to make retouchings and achieve a visual unity not possible with traditional fresco.

“This was his last major decorative undertaking and represents a true technical revolution,” said Piacentini, who was responsible for the restoration project from the outset. The presence of nails in the wall indicates that Raphael intended to paint the entire room in oils, a project interrupted by his untimely death in 1520 when he was only 37 years old.

The work was continued by his disciples Giulio Romano and Giovanni Francesco Penni, who painted the remaining fresco scenes. “It was a work of years, comparable to that of a team from the Renaissance: Restorers, chemists, engineers, and heritage experts worked as if in a true workshop,” emphasized Jatta, who also praised Persegati’s coordination in the Vatican’s oldest laboratory.

A 16th-century pictorial palimpsest

The Hall of Constantine, designed for official receptions and named after the emperor who granted freedom of worship and thus brought Christianity out from the underground with the Edict of Milan (A.D. 313), constitutes a kind of artistic palimpsest (an ancient tablet on which writing could be erased and rewritten). It was decorated over more than 60 years under five pontificates — from Leo X to Sixtus V — with work done by different artists and workshops, making it an exceptional synthesis of 16th-century Roman painting.

Its walls depict four key episodes: “The Vision of the Cross,” “The Battle of the Milvian Bridge,” “The Baptism of Constantine,” and “The Donation of Rome.” All of them symbolize the transition from pagan Rome to Christian Rome and constitute, according to Jatta, “the most politically and programmatically important room in the complex.”

A vault that deceives the eye

Another highlight of the project is the restoration of the vault painted with an allegorical scene of the triumph of Christianity over paganism by Tommaso Laureti during the pontificate of Sixtus V. Among the discoveries is the visual illusion of a carpet in the center of the vault, simulating a sumptuous fabric painted directly onto the ceiling’s surface.

Replacing the old wooden ceiling, Laureti created an impressive marvel of illusionistic perspective with plays of light and shadow that can now be admired in all its beauty after having been cleaned.

An exemplary restoration, a model for the future

The project was made possible thanks to the patronage of the New York chapter of the Patrons of the Arts in the Vatican Museums and the Carlson Foundation, along with the institutional support of the presidency of the Governorate of Vatican City State and its general secretariat.

The work was fully documented through laser scans and 3D models, becoming an international reference for the restoration of large mural decorations. Furthermore, a detailed study of the plaster layers made it possible to reconstruct the exact chronology of the steps in making the frescoes.

Morresi of the Vatican Museums’ Scientific Research Office summed up the spirit of the project with words that evoke both science and poetry: “The most exciting thing is how artists of the past managed to transform matter and chemistry into something so marvelous.”

The reopening of the Hall of Constantine not only restores a key space in the Vatican museum but also returns to humanity a Renaissance masterpiece, a testament to Raphael’s genius.

This story was first published by ACI Prensa, CNA’s Spanish-language news partner. It has been translated and adapted by CNA.

Vatican City, Jun 30, 2025 / 07:00 am (CNA).

After a decade of painstaking restoration, the imposing Hall of Constantine in the Vatican’s Apostolic Palace, which houses Raphael’s masterpiece depicting Constantine’s victory over Maxentius at the Milvian Bridge, has been returned to its original splendor.

This space, the largest of the well-known Raphael Rooms, was partially closed to the public in 2015 due to delicate conservation work that ultimately culminated in a result described as “exemplary” by Vatican Museums.

“In a way, we have rewritten the history of art,” explained Barbara Jatta, director of the Vatican Museums, during a June 26 presentation to the press held at the Vatican Museums. She was joined by Fabrizio Biferali, supervisor of the art department for the 15th and 16th centuries; Fabio Piacentini and Francesca Persegati from the Painting and Wooden Materials Restoration Laboratory; and Fabio Morresi, head of the Scientific Research Office, who emphasized the scientific, technical, and symbolic value of a project that has brought to light revolutionary discoveries about the techniques and methods of the Renaissance master.

The restoration, which began in March 2015 and was completed in December 2024, has not only restored the brilliance of the frescoes that Pope Leo X commissioned Raphael Sanzio (1483–1520) to paint but also revealed important technical and artistic innovations concerning one of the great workshops of the Renaissance.

The process, carried out in eight phases, began with the wall of “The Vision of the Cross” and concluded with the vault decorated by Tommaso Laureti. The planning of the scaffolding followed the same sequence as the original execution of the paintings, allowing for a diachronic interpretation of the evolution of the complex.

Raphael and oil painting: A revolutionary discovery

One of the project’s greatest revelations has been the confirmation that two female figures — Comitas and Iustitia — were executed directly by Raphael in oil, an extremely unusual technique for murals at the time. “We knew from sources that Raphael did experiments, but we didn’t know which ones,” Jatta explained.

Thanks to scientific analyses such as infrared refractography at 1,900 nanometers, false-color ultraviolet light, and chemical studies of the paint layer, a special preparation of rosin, a natural resin heated and applied to the wall, was identified. This technique would have allowed Raphael to make retouchings and achieve a visual unity not possible with traditional fresco.

“This was his last major decorative undertaking and represents a true technical revolution,” said Piacentini, who was responsible for the restoration project from the outset. The presence of nails in the wall indicates that Raphael intended to paint the entire room in oils, a project interrupted by his untimely death in 1520 when he was only 37 years old.

The work was continued by his disciples Giulio Romano and Giovanni Francesco Penni, who painted the remaining fresco scenes. “It was a work of years, comparable to that of a team from the Renaissance: Restorers, chemists, engineers, and heritage experts worked as if in a true workshop,” emphasized Jatta, who also praised Persegati’s coordination in the Vatican’s oldest laboratory.

A 16th-century pictorial palimpsest

The Hall of Constantine, designed for official receptions and named after the emperor who granted freedom of worship and thus brought Christianity out from the underground with the Edict of Milan (A.D. 313), constitutes a kind of artistic palimpsest (an ancient tablet on which writing could be erased and rewritten). It was decorated over more than 60 years under five pontificates — from Leo X to Sixtus V — with work done by different artists and workshops, making it an exceptional synthesis of 16th-century Roman painting.

Its walls depict four key episodes: “The Vision of the Cross,” “The Battle of the Milvian Bridge,” “The Baptism of Constantine,” and “The Donation of Rome.” All of them symbolize the transition from pagan Rome to Christian Rome and constitute, according to Jatta, “the most politically and programmatically important room in the complex.”

A vault that deceives the eye

Another highlight of the project is the restoration of the vault painted with an allegorical scene of the triumph of Christianity over paganism by Tommaso Laureti during the pontificate of Sixtus V. Among the discoveries is the visual illusion of a carpet in the center of the vault, simulating a sumptuous fabric painted directly onto the ceiling’s surface.

Replacing the old wooden ceiling, Laureti created an impressive marvel of illusionistic perspective with plays of light and shadow that can now be admired in all its beauty after having been cleaned.

An exemplary restoration, a model for the future

The project was made possible thanks to the patronage of the New York chapter of the Patrons of the Arts in the Vatican Museums and the Carlson Foundation, along with the institutional support of the presidency of the Governorate of Vatican City State and its general secretariat.

The work was fully documented through laser scans and 3D models, becoming an international reference for the restoration of large mural decorations. Furthermore, a detailed study of the plaster layers made it possible to reconstruct the exact chronology of the steps in making the frescoes.

Morresi of the Vatican Museums’ Scientific Research Office summed up the spirit of the project with words that evoke both science and poetry: “The most exciting thing is how artists of the past managed to transform matter and chemistry into something so marvelous.”

The reopening of the Hall of Constantine not only restores a key space in the Vatican museum but also returns to humanity a Renaissance masterpiece, a testament to Raphael’s genius.

This story was first published by ACI Prensa, CNA’s Spanish-language news partner. It has been translated and adapted by CNA.

Miami, Fla., Jun 30, 2025 / 06:00 am (CNA).

Kendra Beigel was 14 years old when her family life took a turn for the worse. In her small-town Minnesota home, she was used to her parents arguing, but her family situation further disintegrated when her mother intervened in her father’s alcohol issues and her parents went to court.

“It was like the whole town decided to take a side and get involved in our family business,” recalled Beigel, who was raised Catholic. “I had to grow up quickly… Each stage of the initial separation and how it comes out of the blue, then the divorce and everything that it brings, and then the subsequent annulment; each brought its own hurts and difficulties and it never was easier.”

Now an adult, Beigel remembers thinking back then, “How can you just be a kid anymore?” Navigating child custody routines, “you [the child] have to be the one to pack the suitcase and to move and uproot your life.”

“I threw myself into academics and extracurriculars,” she said. “No one on the outside could tell how much I was hurting because I was excelling externally… You start to really put a lot of blame and guilt on yourself when you have no one to talk to, no one thinks to bring it up with you, and you’re really just trying to run away.”

When ingrained fears caused her to struggle with family dynamics, friendships, and dating in college, Beigel knew the past had left its mark. In October 2022, she joined a Life-Giving Wounds retreat for adult children of divorce (ACODs) near her home in Denver.

Celebrating its five-year milestone in 2025, Life-Giving Wounds — back then just a two-year-old apostolate — was already making a big impact. 

The beginnings 

The ministry was created in 2020 by Daniel and Bethany Meola, a married couple with a special heart for adult children of divorce. Beginning with online retreats during the COVID-19 pandemic, Life-Giving Wounds now hosts events both online and in-person, with a presence in almost 40 dioceses throughout the United States in addition to the Archdiocese of Toronto, Canada.

Himself an ACOD, Daniel Meola explained: “The more I dug into it in college and post-college, I realized there are lot of ministries for divorcees but not as much for adult children of divorce.”

Since a high school retreat had turned his life around after his parents’ divorce, he recognized that “there needs to be an intentional ministry and community for others like me. Jesus’ heart desires this.”

In addition to retreats, Life-Giving Wounds offers a blog with topics ranging from “Book and Media Reviews” to “Relationship Advice”; a book published in 2023; and even a summer 2025 Online Reading Group and support group using Victor Hugo’s “Les Misérables” as a springboard.

The retreat helped Beigel break through the bubble she had found herself in after her parents’ divorce.

“Going in, you’re just thinking, none of my friends have gone through divorce. This is something that feels like such an isolating cross,” she said. “But as soon as I walked in, I saw everyone at my parish who I had no idea was in ‘the secret club that no one wants to be a part of,’ as they joked.”

The retreat was transformative. “I really appreciated that they had a whole retreat manual to follow,” she noted. “It really invited you to take a leap of faith and invite the Divine Physician into these ugly areas of your heart.”

Unbeknownst to her, a young man who had participated in a Maryland retreat earlier that year in August 2022 was Beigel’s future husband, Joe Beigel. The fact that they were both Life-Giving Wounds alumni would bring them together. Joe said the friend who introduced them “got my attention” by commenting that Kendra had attended Life-Giving Wounds and had been featured on the podcast “Restored.”

Chuckling, Kendra recounted Joe’s approach: “[He said,] ‘You can go ahead and delete that Catholic Match profile — you won’t need it now that you met me!’ And it worked!”

Joe and Kendra Beigel were married on Jan. 18, 2025.

To other ACODs, Joe’s message is: “You’re not doomed to repeat your parents’ mistakes and to not get married or to settle for less in a marriage, because God wants so much more for you.”

Kendra agreed. “The thing that shifted with marriage, it’s not that you are done working on the wounds from your parents’ divorce, you just have someone you are working on it with, because that’s what marriage is. You’re working together first and foremost, helping each other along.”

Craig Soto II and Sidney Soto, another Life-Giving Wounds alumni couple from Kansas, are preparing to welcome a baby into the world. Craig Soto said of Life-Giving Wounds’ anniversary: “Truly, what five years means to me is hope.” 

“When we did the full-body scan to make sure the baby was healthy, I remember the sonogram technician said everything was normal,” Soto said. The simple phrase hit him hard. 

“That’s a beautiful gift for me, for somebody who’s lived a very abnormal life. I got so used to it that ‘the normal’ actually became confusing and strange to me,” said Soto, a retreat leader. “To hear that our child is ‘normal’... To me, a normal life is all I’ve ever really wanted. That’s why I say that there’s hope, because I have hope for a normal life.”

Those called to the vocation of marriage aren’t the only ones who have benefited from Life-Giving Wounds. In fact, retreat alumnus Father Ryan Martiré of the Diocese of Bismarck, North Dakota, helped bring Life-Giving Wounds to seminarians.

Martiré participated in one of the first online retreats as a seminarian, later joining an in-person retreat while studying at Kenrick-Glennon Seminary in St. Louis. 

The seminary’s rector “saw a tremendous need in the seminary and asked if I would introduce this ministry to more people in the seminary,” said Martiré, who was ordained on June 11, 2024. “Not only healing for themselves, but to be fathers who can provide this healing for others.”

Kenrick-Glennon Seminary held its first retreat in spring 2022 and has the honor of being Life-Giving Wounds’ first seminary chapter.

“The wound of divorce can be very attached to a father wound,” Martiré explained. “When a seminarian receives healing there, it can have a serious spiritual impact, that he receives confidence to be a father.”

“One of the things that struck me when I was studying wounds of divorce is that so many children with parents who have divorced did not experience a word of accompaniment from their pastor or priest: ‘I’m so sorry that happened,’” he added. “A child who’s starting to self-protect and live hyper-independently because of their parents’ divorce needs a spiritual father or a spiritual mother to comfort them and to acknowledge that they’re hurting in their perfectionism, or in whatever way they’re coping.”

Brady Hershberger, a young adult Life-Giving Wounds alumnus from Ohio, said: “I think Life-Giving Wounds is making the ACOD population feel seen, and like we don’t have to keep sweeping this wound under the rug as if it weren’t seriously a wound… It gives me a sense of hope that people like me will be seen and loved and heard.”

Indeed, Martiré said he believes Life-Giving Wounds has a special connection to the 2025 Jubilee, with its theme of hope.

“What struck me my first time at the retreat was seeing really stable, healed, holy people giving the presentations. People who are coming from a dark path with very divided families, and you see that they’re not living defined by their wounds,” he said. “That’s very hopeful that, as Christians, we don’t need to live in the past. We can become transformed by Christ if we let him into our suffering, our dark and imprisoned places.”

Life-Giving Wounds co-founder Bethany Meola said she is excited for what’s to come. The ministry has projects focused on engaged and married couples in the works, and they also look to increase outreach to college students, Hispanic ministry, seminaries and religious, and more.

“This anniversary is an opportunity to look back and see where God has taken us so far,” she said. “Obviously we have objective numbers to see how the ministry has grown from local to all around the country, from just a few retreats to more and more every year, which has been so beautiful. But more than the numbers, we’re reflecting on the people we’ve been privileged to encounter — more and more people all the time whom Life-Giving Wounds can hopefully lend some support to.”

Miami, Fla., Jun 30, 2025 / 06:00 am (CNA).

Kendra Beigel was 14 years old when her family life took a turn for the worse. In her small-town Minnesota home, she was used to her parents arguing, but her family situation further disintegrated when her mother intervened in her father’s alcohol issues and her parents went to court.

“It was like the whole town decided to take a side and get involved in our family business,” recalled Beigel, who was raised Catholic. “I had to grow up quickly… Each stage of the initial separation and how it comes out of the blue, then the divorce and everything that it brings, and then the subsequent annulment; each brought its own hurts and difficulties and it never was easier.”

Now an adult, Beigel remembers thinking back then, “How can you just be a kid anymore?” Navigating child custody routines, “you [the child] have to be the one to pack the suitcase and to move and uproot your life.”

“I threw myself into academics and extracurriculars,” she said. “No one on the outside could tell how much I was hurting because I was excelling externally… You start to really put a lot of blame and guilt on yourself when you have no one to talk to, no one thinks to bring it up with you, and you’re really just trying to run away.”

When ingrained fears caused her to struggle with family dynamics, friendships, and dating in college, Beigel knew the past had left its mark. In October 2022, she joined a Life-Giving Wounds retreat for adult children of divorce (ACODs) near her home in Denver.

Celebrating its five-year milestone in 2025, Life-Giving Wounds — back then just a two-year-old apostolate — was already making a big impact. 

The beginnings 

The ministry was created in 2020 by Daniel and Bethany Meola, a married couple with a special heart for adult children of divorce. Beginning with online retreats during the COVID-19 pandemic, Life-Giving Wounds now hosts events both online and in-person, with a presence in almost 40 dioceses throughout the United States in addition to the Archdiocese of Toronto, Canada.

Himself an ACOD, Daniel Meola explained: “The more I dug into it in college and post-college, I realized there are lot of ministries for divorcees but not as much for adult children of divorce.”

Since a high school retreat had turned his life around after his parents’ divorce, he recognized that “there needs to be an intentional ministry and community for others like me. Jesus’ heart desires this.”

In addition to retreats, Life-Giving Wounds offers a blog with topics ranging from “Book and Media Reviews” to “Relationship Advice”; a book published in 2023; and even a summer 2025 Online Reading Group and support group using Victor Hugo’s “Les Misérables” as a springboard.

The retreat helped Beigel break through the bubble she had found herself in after her parents’ divorce.

“Going in, you’re just thinking, none of my friends have gone through divorce. This is something that feels like such an isolating cross,” she said. “But as soon as I walked in, I saw everyone at my parish who I had no idea was in ‘the secret club that no one wants to be a part of,’ as they joked.”

The retreat was transformative. “I really appreciated that they had a whole retreat manual to follow,” she noted. “It really invited you to take a leap of faith and invite the Divine Physician into these ugly areas of your heart.”

Unbeknownst to her, a young man who had participated in a Maryland retreat earlier that year in August 2022 was Beigel’s future husband, Joe Beigel. The fact that they were both Life-Giving Wounds alumni would bring them together. Joe said the friend who introduced them “got my attention” by commenting that Kendra had attended Life-Giving Wounds and had been featured on the podcast “Restored.”

Chuckling, Kendra recounted Joe’s approach: “[He said,] ‘You can go ahead and delete that Catholic Match profile — you won’t need it now that you met me!’ And it worked!”

Joe and Kendra Beigel were married on Jan. 18, 2025.

To other ACODs, Joe’s message is: “You’re not doomed to repeat your parents’ mistakes and to not get married or to settle for less in a marriage, because God wants so much more for you.”

Kendra agreed. “The thing that shifted with marriage, it’s not that you are done working on the wounds from your parents’ divorce, you just have someone you are working on it with, because that’s what marriage is. You’re working together first and foremost, helping each other along.”

Craig Soto II and Sidney Soto, another Life-Giving Wounds alumni couple from Kansas, are preparing to welcome a baby into the world. Craig Soto said of Life-Giving Wounds’ anniversary: “Truly, what five years means to me is hope.” 

“When we did the full-body scan to make sure the baby was healthy, I remember the sonogram technician said everything was normal,” Soto said. The simple phrase hit him hard. 

“That’s a beautiful gift for me, for somebody who’s lived a very abnormal life. I got so used to it that ‘the normal’ actually became confusing and strange to me,” said Soto, a retreat leader. “To hear that our child is ‘normal’... To me, a normal life is all I’ve ever really wanted. That’s why I say that there’s hope, because I have hope for a normal life.”

Those called to the vocation of marriage aren’t the only ones who have benefited from Life-Giving Wounds. In fact, retreat alumnus Father Ryan Martiré of the Diocese of Bismarck, North Dakota, helped bring Life-Giving Wounds to seminarians.

Martiré participated in one of the first online retreats as a seminarian, later joining an in-person retreat while studying at Kenrick-Glennon Seminary in St. Louis. 

The seminary’s rector “saw a tremendous need in the seminary and asked if I would introduce this ministry to more people in the seminary,” said Martiré, who was ordained on June 11, 2024. “Not only healing for themselves, but to be fathers who can provide this healing for others.”

Kenrick-Glennon Seminary held its first retreat in spring 2022 and has the honor of being Life-Giving Wounds’ first seminary chapter.

“The wound of divorce can be very attached to a father wound,” Martiré explained. “When a seminarian receives healing there, it can have a serious spiritual impact, that he receives confidence to be a father.”

“One of the things that struck me when I was studying wounds of divorce is that so many children with parents who have divorced did not experience a word of accompaniment from their pastor or priest: ‘I’m so sorry that happened,’” he added. “A child who’s starting to self-protect and live hyper-independently because of their parents’ divorce needs a spiritual father or a spiritual mother to comfort them and to acknowledge that they’re hurting in their perfectionism, or in whatever way they’re coping.”

Brady Hershberger, a young adult Life-Giving Wounds alumnus from Ohio, said: “I think Life-Giving Wounds is making the ACOD population feel seen, and like we don’t have to keep sweeping this wound under the rug as if it weren’t seriously a wound… It gives me a sense of hope that people like me will be seen and loved and heard.”

Indeed, Martiré said he believes Life-Giving Wounds has a special connection to the 2025 Jubilee, with its theme of hope.

“What struck me my first time at the retreat was seeing really stable, healed, holy people giving the presentations. People who are coming from a dark path with very divided families, and you see that they’re not living defined by their wounds,” he said. “That’s very hopeful that, as Christians, we don’t need to live in the past. We can become transformed by Christ if we let him into our suffering, our dark and imprisoned places.”

Life-Giving Wounds co-founder Bethany Meola said she is excited for what’s to come. The ministry has projects focused on engaged and married couples in the works, and they also look to increase outreach to college students, Hispanic ministry, seminaries and religious, and more.

“This anniversary is an opportunity to look back and see where God has taken us so far,” she said. “Obviously we have objective numbers to see how the ministry has grown from local to all around the country, from just a few retreats to more and more every year, which has been so beautiful. But more than the numbers, we’re reflecting on the people we’ve been privileged to encounter — more and more people all the time whom Life-Giving Wounds can hopefully lend some support to.”

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In the wake of the Protestant Reformation, a countermovement arose within the Church in an effort to adhere to the strict orthodoxy of Catholic doctrine. Ironically, the movement was so rigid, that it became heretical itself. It sprang forth from the writings of Cornelius Otto Jansen, who presented his personal interpretation of St. Augustine’s teachings […]

To experience Providence is to be touched by the timeless. To experience Providence is to experience the will of God that exists in every moment, accessible to those with the sensitivity to, understanding of, and will to know it. Because of this, humans throughout the ages have differed in their awareness and knowledge of providence. […]

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CNA Newsroom, Jun 29, 2025 / 19:05 pm (CNA).

The politician posted on social media that the incident raised “grave public interest” about pressure religious MPs faced.

CNA Newsroom, Jun 29, 2025 / 19:05 pm (CNA).

A British politician has publicly criticized his parish priest for refusing to give him Holy Communion after he voted in favor of the UK’s assisted dying bill.

Liberal Democrat MP Chris Coghlan took to Social Media on Sunday and reportedly complained to Bishop Richard Moth of Arundel and Brighton, describing his treatment as “outrageous.”

Father Ian Vane, parish priest at St. Joseph’s Catholic Church in Dorking, Surrey, had warned Coghlan before the June 20 vote that supporting the controversial bill would constitute “obstinately persevering” in sin. He then reportedly named Coghlan, who represents Dorking and Horley in Surrey, from the pulpit two days later.

Coghlan described the priest’s actions as “completely inappropriate” and claimed it “undermines the legitimacy of religious institutions.”

The politician posted on social media that the incident raised “grave public interest” about pressure that religious Members of Parliament (MPs) faced during the vote, calling it “utterly disrespectful to my family, my constituents including the congregation, and the democratic process.”

The MP’s public criticism sparked significant backlash on social media platforms, with many defending Father Vane and criticizing Coghlan’s comportment.

Several commentators reminded the politician of the Vatican’s doctrinal note about participation in public life, ‘"that a well-formed Christian conscience does not permit one to vote for a political program or an individual law which contradicts the fundamental contents of faith and morals.”

“Those who are directly involved in lawmaking bodies have a grave and clear obligation to oppose any law that attacks human life. For them, as for every Catholic, it is impossible to promote such laws or to vote for them,” the Doctrinal Note on the Participation of Catholics' in Political Life states.

The Catholic Diocese of Arundel and Brighton also reportedly reminded the media of the Church’s position while acknowledging the complexity of the vote.

“The Catholic Church believes in the sanctity of life and the dignity of every person,” the diocese stated, adding Bishop Richard Moth spoke to Coghlan “earlier this week and has offered to meet him in person to discuss the issues and concerns raised.”

Church leaders warn of grave consequences

The controversy comes as Catholic bishops and others have repeatedly raised serious concerns about the UK's assisted dying legislation.

Archbishop John Sherrington of Liverpool, the lead bishop for life issues for the Catholic Bishops’ Conference of England and Wales, said he was “shocked and disappointed” by the bill’s passage.

“Allowing the medical profession to help patients end their lives will change the culture of health care and cause legitimate fears amongst those with disabilities or who are especially vulnerable in other ways,” Sherrington stated.

Cardinal Vincent Nichols, Archbishop of Westminster, and Archbishop Sherrington had previously warned that Catholic hospices and care homes may have no choice but to shut down if the bill becomes law, since they “may be required to cooperate with assisted suicide.”

To become law, the bill still needs to pass in the second chamber of Parliament, the unelected House of Lords. The Lords can amend legislation, but because the bill has the support of the Commons, it is likely to pass.